Looking for scars of earthquakes

ñޜThe search for scars of earthquakes in these mountains unfolded almost like a narrative through their forensic and tactile approach.ñޝ
A still from a film Heidi Morstange is creating about earthquakes

Looking for scars of earthquakes

ñޜThe search for scars of earthquakes in these mountains unfolded almost like a narrative through their forensic and tactile approach.ñޝ

In July 2017 I travelled to the Lofoten Islands in northern Norway to a make a film about a team of international field geologists looking for ñޘscars of earthquakesñޙ in an exposed mountain plateau. They were looking for traces of earthquakes that happened 40km below the surface of the Earth millions of years ago ñޓ and that now are visible.

In this research project, filmmaking is used as a research instrument to create a portrayal of a quest for understanding. Working with this film, I am interested discovering how we understand connections between distant history and future of earthquakes through landscape by exploring the medium of documentary film. Filmmaking provides a focus of observing and listening in order to understand what is taking place in the field ñޓ the natural laboratory itself. As a filmmaker primarily working with scientists in order to seek an understanding of how they think and work, the focus in this project was to portray the inquisitive minds of geologists. The most striking aspect of working with the field geologists was how they saw and explored the landscape. Not only the relatively vast area of the plateau itself, but the real focus on minutiae details: the grains of the rocks, the geometry of patterns at the plateau, seeing lines and making connections between those ñޓ and then discussing potential conclusions.
The search for pseudotachylytes (ñޘscars of earthquakesñޙ) in these mountains unfolded almost like a narrative through their forensic and tactile approach to seeing and understanding the landscape ñޓ all through their understanding of the immense timescales of Earth itself. The film is currently in production, and will be completed in Spring 2018. It is aimed towards academic and general international audiences. The film features Dr Lucy Campbell (ñ), Dr Luca Menegon (ñ), (Cardiff University), (University of Liverpool) and (Padua University) The film is directed and produced by Dr Heidi Morstang (ñ), Cinematography by Patrik Säfström and sound design by Paul Donovan.